Alex Proyas’ Short Film: Strange Residues

Alex Proyas, Vidiverse

This is what Alex Proyas had to say about one of his early short films Strange Residues.

I was a teenager when I made this film in the second year of film school. Even so there’s plenty of ideas I would keep coming back to. And “STRANGE RESIDUES” is possibly the silliest title for a film I ever came up with…

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We had the honor of speaking to Alex Proyas about his creative process and his new streaming service Vidiverse.

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Richard Linklater’s Short Film: Woodshock ’85

Woodshock '85, Woodshock '85 short film, Richard Linklater, Richard Linklater short film

Richard Linklater’s Short Film: Woodshock ’85

This short documentary chronicles the chaos of the Austin, Texas music festival, “Woodshock ’85.” Directed by a young Richard Linklater.

Read Richard Linklater’s Screenplay Collection in PDF

Alex had the pleasure of speaking to Richard and discussed his philosophy, filmmaking and creative process.

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Want to watch more short films by legendary filmmakers?

Our collection has short films by Martin Scorsese, Quentin Tarantino, the Coen Brothers, Chris Nolan, Tim Burton, Steven Spielberg & more.

Screenplays: FREE Download 2021-2022 Oscar Contenders UPDATED

UPDATED January 2022: If you want to be a screenwriter you need to read a lot of screenplays. And if you are going to read film scripts might as well read some of this year’s best. Below is an active running list of 2021-2022 Oscar Contending Screenplays. I’ll be adding new screenplays as they become available so check back often.

PLEASE NOTE: These Screenplays Are FREE And LEGAL To Download For Educational Purposes. The Studios Will Only Keep Them Online Throughout The Awards Season So The Clock Is Ticking. Enjoy. 

When you are done reading take a listen to Apple’s #1 Screenwriting Podcast The Bulletproof Screenwriting Podcast, with guests like Oscar Winner Eric Roth, James V. HartDavid ChaseJohn AugustOliver Stone and more.

2021-2022 Oscar Contending Screenplays


2020-2021 Oscar Contending Screenplays

The Father – (Sony Classics) – OSCAR WINNER (Best Original Screenplay)
Promising Young Woman – (Focus Features) – OSCAR WINNER (Best Adapted Screenplay)

2020-2021 Oscar Contending Screenplays

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2020 Oscar-Winning Screenplays

Parasite – (NEON) – OSCAR WINNER (Best Original Screenplay)
Jo Jo Rabbit – (Fox Searchlight) – OSCAR WINNER (Best Adapted Screenplay)

2020 Oscar Contending Screenplays

2019 Oscar Contending Screenplays

Netflix has removed its scripts, though some of the links work. I will keep you updated…

2018 Oscar Contending Screenplays

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Want to read more screenplays by the best screenwriters working in Hollywod today?

The Bulletproof Screenwriting collection of screenplays are organized by screenwriter's & filmmaker's career for easy access.

Screenwriter’s Screenplay Collections

We started a new weekly series where we highlight a screenwriter and post a collection of most if not all of their work in one online resource. Sign up for our weekly newsletter above to get weekly updates sent to your inbox. Here are a few recent screenwriter collections:

I also decided to include a bonus area where you can download some of the best screenplays of the last few years. Over 175 screenplays in all. Happy reading!

Best of 2016 Screenplays

Best of 2015 Screenplays

Best of 2014 Screenplays

Best of 2013 Screenplays


BONUS: Oscar Nominated and Winning Screenplays

Steven Spielberg’s Micro-Budget Short Film: Amblin

Amblin’ is a short film made in 1968. It is the first completed film shot by Steven Spielberg on 35mm. The film is a short love story set during the hippie era of the late 1960s about a young man and woman who meet in the desert, attempt to hitchhike, become friends, then lovers, make their way to a beach, and part ways. It later became the namesake for Spielberg’s production company, Amblin Entertainment.

A young man carrying a closely guarded guitar case meets a free-spirited young woman while hitchhiking across the Mojave Desert, she befriends him, then he hauls both of their luggage, they play an olive pit spitting game, she shares a cannabis joint, he becomes her lover, and they accept various rides, en route to a Pacific coast beach. At the beach, the man runs, fully clothed, into the surf, and splashes about, while the woman with daisies in her hair, hesitatingly opens his guitar case and lays out its contents: a tie, wingtip shoes, Thrifty Drugs mouthwash, a paperback of Arthur C. Clarke’s The City and the Stars, a white shirt, Right Guard spray deodorant, a suit, a roll of toilet paper, white crew socks, Phillips’ Milk of Magnesia, and toothpaste. The woman smiles in bemusement, perhaps sensing that her companion was not the free-spirit that she assumed that he was. She frowns in sad disappointment and climbs back up the beach stairs without him. – Wikipedia

There is no spoken dialogue in the film aside from the lyrics to the opening and closing theme song. There is an ambient soundtrack featuring bird sounds, wind, passing car noises, popping noises made by the characters, fire sounds, and laughter, along with instrumental music.

Download Steven Spielberg’s Screenplay Collection in PDF

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Want to watch more short films by legendary filmmakers?

Our collection has short films by Martin Scorsese, Quentin Tarantino, the Coen Brothers, Chris Nolan, Tim Burton, Steven Spielberg & more.

Richard Linklater’s Short Film: Another Day at the Office

If you are  Rick Linklater fan this is a film you need to watch. A day in the life of Richard Linklater, taking in a conference call with some young studio executives and a session with a psychologist. The section when he talks to Hollywood executives is priceless.

Watch the entire short film and a behind the scenes discussion on the making of it below.

 

 

Alex had the pleasure of speaking to Richard and discussed his philosophy, filmmaking and creative process.

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Want to watch more short films by legendary filmmakers?

Our collection has short films by Martin Scorsese, Quentin Tarantino, the Coen Brothers, Chris Nolan, Tim Burton, Steven Spielberg & more.

Top 25 Must Listen to Screenwriting Podcasts (Oscar® Winners)

Finding a great Screenwriting Podcast is a treasure trove of knowledge for the aspiring or professional screenwriter. We have put together the Top twenty five must listen to screenwriting podcasts from the archives of the Indie Film Hustle Podcast and the Bulletproof Screenwriting Podcast.

The list below is definitely has  podcasts for screenwriters with a who’s who in the screenwriting world. From Oscar® and Emmy® winners like Eric Roth, Edward Zwick, Richard Linklater, David Chase to screenwriting coaches like Robert McKee, John Truby and Chris Vogler.

These episodes are the best podcasts for screenwriters wanting to learn more about the craft and business of screenwriting. Be sure to take notes because there are a ton of knowledge bombs that are dropped in these screenwriting podcasts.

This list will be updated every few months so keep checking back.

Click here to subscribe to the Bulletproof Screenwriting Podcast on Apple Podcasts, Spotify, Stitcher, or Spreaker.


1. Eric Roth

This week, I sat down with one of the most legendary and successful screenwriters/producers in Hollywood, Oscar® Winner Eric Roth. Over a 50+ years career, he’s well-known for writing or producing films like Forrest Gump, A Star is Born, Mank, The Curious Case of Benjamin Button, Munich, Ali, and the list goes on.

2. Oliver Stone

Today on the show I bring you one of the most influential and iconic writer/directors in the history of cinema, three-time Oscar® winner Oliver Stone. Throughout his legendary career, Stone has served as writer, director, and producer on a variety of films, documentaries, and television movies. His films have been nominated for forty two Oscars® and have won twelve.

3. Richard Linklater

We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. As a bonus, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos, the filmmaker behind the film I Dream Too Much. 

4. David Chase

The legacy of the crime drama television series, The Sopranos remains a defining art of storytelling for mob TV shows. We have the genius behind this hit TV series, David Chase as our guest today.

As expected, Chase is a twenty-five-time Emmy Awards-winner, seven times Golden Globes winner, and highly acclaimed producer, writer, and director. His forty-year career in Hollywood has contributed immensely to the experience of quality TV.

Before getting into the nitty-gritty of Chase, let’s do a brief of the HBO 1999 hit show, The Sopranos: Produced by HBO, Chase Films, and Brad Grey Television, the story ran for six seasons, revolving around Tony Soprano, played by James Gandolfini, a New Jersey-based Italian-American mobster, portraying the difficulties that he faces as he tries to balance his family life with his role as the leader of a criminal organization.

5. John August

Today on the show we have Hollywood screenwriter, director, producer, podcaster and novelist John August. He is known for writing the hit Hollywood films Go, Charlie’s Angels, Charlie’s Angels: Full Throttle, Big Fish, Charlie, and the Chocolate Factory and Frankenweenie, the Disney live-action adaptation of Aladdin and the novel Arlo Finch in the Valley of Fire.

6. Edward Zwick 

We have been on a major roll lately on the podcast and this episode keep that going in a big way. Our guest on the show today is Oscar® Winning screenwriter, producer, and director Edward Zwick. Edward made his big shift from his childhood passion of theater to filmmaking after working as a PA for Woody Allen in France on the set of Love and Death.

7. James V. Hart

I’m so excited to bring this episode to the BPS Tribe. Today we have legendary screenwriter James V. Hart. James is the screenwriter behind some of Hollywood’s biggest blockbusters like HOOK, directed by Steven Spielberg based on an idea by Hart’s then 6-year-old son, Jake, BRAM STOKER’S DRACULA, directed by Francis Ford Coppola, MUPPET TREASURE ISLAND, directed by Brian Henson, and CONTACT, directed by Robert Zemeckis. MARY SHELLEY’S FRANKENSTEIN, TUCK EVERLASTING, AUGUST RUSH, SAHARA, LARA CROFT: TOMB RAIDER: THE CRADLE OF LIFE, AUGUST RUSH and many more.

“No one has a job in our business until you type ‘the end’.” — James V. Hart

8. Jordan Peele

Get ready to have your mind blown! I’ll be releasing a 3-Part Limited Series of conversations between the legendary screenwriter James V. Hart, the writer of Hook, Contact, Bram Stroker’s Dracula, and Tomb Raiderjust to name a few, and some of the top screenwriters in the game.

First up is the screenwriter that took the world by storm with his Oscar-Winning screenplay Get Out, Jordan Peele. If you have been living under a rock for the past few years here is what the film is about.

This was recorded before Jordan’s next hit film Us was released. Listening to these two masters discuss character, plot, theme, and more is a rare treat. It’s like being a fly on the wall. When you are done listening to this conversation you can read some of Jordan’s screenplay here.

9. Damien Chazelle

Today on the show we have Damien Chazelle, the Oscar® Winning director and screenwriter of La La Land. He bursted on the scene with his debut film Whiplash. The film is about a young musician (Teller) struggles to become a top jazz drummer under the tutelage of a ruthless band conductor (Simmons).

James and Damien discuss how he wrote and structured La La Land and much more. Enjoy this rare conversation between James V. Hart and Damien Chazelle.

10. Joe Cornish

Have you ever  wondered what it is like screenwriting inside the Marvel and Studio machine? Wonder no further, today we have screenwriter and director Joe Cornish. Joe was one of the writer’s on Marvel’s Ant-Man.

Joe honestly, was extremely forthcoming and transparent about a lot of things; like what really happened behind the scenes on Ant-Man and what it’s like to write inside the Marvel machine, having Edgar Wright as a writing partner, working with filmmaking legends like Steven Spielberg and Peter Jackson. And we also discuss his craft, how he approaches screenwriting and directing, and much more.

11. Joe Carnahan

It’s been a hell of a year so far. I’ve been blessed to have had the honor of speaking to some amazing filmmakers and man today’s guest is high on that list. On the show we have writer/director Joe Carnahan. Joe directed his first-feature length film Blood, Guts, Bullets and Octane. which was screened at the 1998 Sundance Film Festival, and won some acclaim.

12. Troy Duffy

I’m always looking for success stories in the film business to study and analyze. Edward Burns (The Brothers McMullan) Robert Rodriguez (El Mariachi), Kevin Smith (Clerks), and Oren Peli (Paranormal Activity) come to mind. I’m sure many of you are familiar with the cult indie film classic The Boondock Saints but many of you might not know the crazy story of its writer and director Troy Duffy.

Well, prepare to get your mind BLOWN. I had an EXCLUSIVE discussion with Troy this week, and let’s say, he did not hold back. Nothing was off-limits – from his instant rise to fame to the brutal fate he met – getting blacklisted, all of it. He wanted to set the record straight because there is always another side to the story, and what better side to hear than that of the man who lived this brutal Hollywood adventure?

13. Sacha Gervasi

Being a podcaster now for over 600 episodes I’ve heard all sorts of stories on how people make it in the film business. From Sundance darlings to blind luck. Now today’s guest story is easily one of the most incredible and entertaining origin stories I’ve ever heard. We have on the show today award-winning director, producer, and screenwriter, Sacha Gervasi.

Sacha won the screenwriter lottery with his first-ever screenplay, which was a un-produceable short film script, caught the eye of the legendary Steven Spielberg. That script, My Dinner with Herve would eventually be expanded and released in 2018 by HBO. The film stars the incomparable, Peter Dinklage.

Sasha is such an interesting human being, I had such a ball talking with him.  We talk about the film business, his origin stories, his screenwriting craft, what he’s doing now, and so much more.

Enjoy my entertaining conversation with Sacha Gervasi.

14. Edward Burns

Today’s guest is a writer, director, producer, actor, and indie filmmaking legend, Edward Burns. Many of you might have heard of the Sundance Film Festival-winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity.

His Cinderella story of making the film, getting into Sundance, and launching his career is the stuff of legend. The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.

15. Mark L. Smith

I’ve spoken to many people in the film business over the years but today’s guest is one of the hardest working craftman I’ve had the pleasure of sitting down with. Today on the show we have screenwriter, producer and director, Mark L. Smith.

If you look at his IMDB you’ll see a list of 15 projects at various stages of development. He’s come a long way from entering the Hollywood scene some 15 years ago with his fear-striking horror screenwriting and directorial debut, Séance in 2006.

I had an absolute ball speaking to Mark. He’s one of the hardest working screenwriters in Hollywood. We discuss everything from The Revenant, genius-level tips on how to adapt a book to the screen to what it was like work with Quentin Tarantino on the Star Trek script that has yet to be made.

If you pray, please pray to the Hollywood Gods that Mark and Quentin’s Star Trek gangster film sees the light of day.

16. Diane Drake

Today on the show we have million-dollar screenwriter Diane Drake. Her produced original scripts include ONLY YOU, starring Robert Downey, Jr. and Marisa Tomei, and WHAT WOMEN WANT, starring Mel Gibson.

Her original script for ONLY YOU sold for $1 million, and WHAT WOMEN WANT is the second highest-grossing romantic comedy of all time (Box Office Mojo). In addition, both films have recently been remade in China featuring major Chinese stars. And WHAT WOMEN WANT has recently been remade by Paramount Pictures as WHAT MEN WANT, with Taraji Henson starring in the Mel Gibson role.

17. Boaz Yakin

We have for you on the show today screenwriter and director, Boaz Yakin, The writer behind The Punisher, Dirty Dancing: Havana Nights, The Rookie, & Safe and directing, The Fresh, Remember the Titans and the comedy-drama, Uptown Girl among others.

Boaz and I chatted about his creative process, the business side and political side of screenwriting and directing in Hollywood during this conversation. He was extremely raw and honest about what it really is like working inside the Hollywood machine.

18. Jeffrey Reddick

Today on the show we have screenwriter and director Jeffrey Reddick, who is best known for creating the highly successful Final Destination horror film franchise. The franchise has grossed over $650 Million world-wide. Not bad for an idea that was first conceived for an X-Files episode.

Jeffrey has had an amazing career so far and I can’t wait to see what he comes up with next.

19. Billy Crystal 

There are performers that impact your life without you even knowing it and today’s guest fits that bill. On the show, we have comedic genius, multi-award-winning actor, writer, producer, director, and television host, Billy Crystal. We’ve seen Billy’s versatile work across all areas in the entertainment world, stand-up, improv, Broadway, behind and in front of the camera, feature films, television, live stages like SNL, and animated movies.

20. Larry Wilson

If you were a kid of the late 80s or early 90s then today’s guest definitely had an impact on your life. Larry Wilson is the co-creator of the cult classic Beetlejuice (directed by Tim Burton), writer of Addams Family and worked on the legendary television show Tales from the Crypt.

Larry wasn’t always a screenwriter, he worked on the studio side of things as well as an executive. In this interview, he tells the story of how he championed a young and pre-Terminator James Cameron to be the writer/director of Aliens. Great story!

21. Robert McKee

Our guest today is the well-regarded screenwriting lecturer, story consultant, and eminent author, Robert McKee. Reputable for his globally-renowned ‘Story Seminars’ that cover the principles and styles of storytelling.

I read his book years ago and refer to it often. I discovered McKee after watching the brilliant film Adaptation by the remarkable Charlie Kaufman. Kaufman literally wrote him into the script as a character. McKee’s character was portrayed by the Emmy Award-winning actor Brian Cox.

If you haven’t heard of Robert McKee then you’re in for treat. Robert McKee is what is considered a “guru of gurus” in the screenwriting and storytelling world.

He has lectured on storytelling for three decades, and his book Story: Substance, Structure, Style and the Principles of Screenwriting (FREE AUDIO BOOK VERSIONS HERE) is a “screenwriters’ bible“. It’s also become the bible for TV writers, and entertainment executives, and their assistants.

McKee’s former students include 67 Academy Award winners, 200+ Emmy Award winners, 100+ Writers Guild of America Award winners, and 52 Directors Guild of America Award winners.

Some of his “Story Seminar” alumnae including Oscar® Winners Peter Jackson, Julia Roberts, John Cleese,  Geoffrey Rush, Paul Haggis, Akiva Goldsman, William Goldman, and Jane Capon, among many others.

22. John Truby

Today on the show we have one of the most popular guests to ever be on the Bulletproof Screenwriting Podcast, the legendary John Truby. John is the author of The Anatomy of Story: 22 Steps to Becoming a Master Storyteller.

John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood’s most successful films. The Anatomy of Story shares all his secrets for writing a compelling script.

Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby’s own unique approach to building an effective, multifaceted narrative.

His is former students’ work has earned more than $15 billion at the box office, and include the writers, directors, and producers of such film blockbusters as Ratatouille, In Treatment, Pirates of the Caribbean, X-Men I/II/III, Shrek, Mother Mary of Chris, Breaking Bad, House, Lost, Planet of the Apes, Scream, The Fantastic Four, The Negotiator, Star Wars, Sleepless in Seattle, Outbreak, African Cats (which Truby co-wrote for Disney) and more.

23. Chris Vogler

Today on the show we bring the legendary story analyst and best-selling author Chris Vogler. Chris wrote the game-changing book  The Writers Journey: Mythic Structure for Writers. I read this book over 25 years ago and it changed the way I look at “story.” Chris studied the work and principles of the late master Joseph Campbell.

His book The Hero with a Thousand Faces was the basis for Star Wars as well as almost every other Hollywood feature film in the past 60 years using what Campbell called the monomyth.

24. Pen Densham

Today on the show we Pen Densham. Pen is a successful award-winning screenwriter, producer, and director, with an extensive track record in film and television. He is responsible for writing and producing some of Hollywood’s biggest blockbusters, such as Robin Hood: Prince of Thieves, Backdraft, Blown Awayalong with some of its longest-running television series including The Outer Limits.

I had a ball speaking to Pen about his time in Hollywood, what it was like to screenwriter/producer monster hits and his screenwriting philosophy on how to make it in Hollywood.

25. Marshall Herskovitz

Our guest today is producer, director and screenwriter Marshall Herskovitz. Many of his production projects have been in partnership with his long-time filmmaking collaborator, Edward Zwick whose films, he’s produced and written half of. Their decades-long filmmaking partnership was launched as co-creators of the 1987 TV show, ThirtySomething.

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Christopher Nolan Screenplays (Download)

Christopher Nolan is one of the greatest filmmakers of his generation. Being a writer/director really sets him apart from his contemporaries. His screenplays are a master class in the craft. We decided to put together an easy resource for screenwriters and filmmakers to be able to download Christopher Nolan Screenplays and study his unique storytelling methods.

Also check out: Christopher Nolan’s Micro-Budget First Films: Doodlebug & The Following

Before you start reading take a listen to the man himself break down Memento, the feature film that launched his illustrious career.

TENET (2020)

Screenplay by Christopher Nolan – Read the screenplay!

DUNKIRK (2017)

Screenplay by Christopher Nolan – Read the screenplay!

INTERSTELLAR (2014)

Screenplay by Christopher Nolan – Read the screenplay!

Screenplay by Johnathan Nolan (2008 Version) – Read the screenplay!

THE DARK KNIGHT RISES (2012)

Screenplay by Christopher Nolan, Jonathan Nolan – Read the screenplay!

INCEPTION (2010)

Screenplay by Christopher Nolan – Read the screenplay!

THE DARK KNIGHT (2008)

Screenplay by Christopher Nolan, Jonathan Nolan – Read the screenplay!

THE PRESTIGE (2006)

Screenplay by Christopher Nolan, Jonathan Nolan – Read the screenplay!

BATMAN BEGINS (2005)

Screenplay by Christopher Nolan, David S. Goyer – Read the screenplay!

MEMENTO (2000)

Screenplay by Christopher Nolan – Read the screenplay!

FOLLOWING (1998)

Screenplay by Christopher Nolan – Read the screenplay!

THE KEYS OF THE STREET (1997)

(Unproduced) Screenplay by Christopher Nolan – Read the screenplay!

 

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The Bulletproof Screenwriting collection of screenplays are organized by screenwriter's & filmmaker's career for easy access.

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Do you Want to read all the television pilots from the 2016-2021 seasons?

Learn from the best storytellers and television writers working in Hollywood today. Netflix, NBC, Hulu, HBOMax, Amazon, CBS and more.

What is Cinema Verite? – Definition and Examples

Cinema Verite is a French film movement, which took place back in the 1960s. This film movement forced the movie industry to pay more attention to incorporating natural actions and authentic dialogue into the movies, which showed people in day to day lives. Basically, the movement was about observing and capturing life as it was or finding truth in the moving images.

Before this movement, filmmakers recorded footage, interviews, and actual conversations separately. The camera was usually handheld. Then they would review the footage and cut them altogether. However, this technique did not have the ability to give life to realistic-looking movies.

Many different factors influenced the production of documentary movies in the 20th century. Post World War II, the neorealist movement, and the British independent documentaries hold a prominent place out of them. In fact, all these reasons contributed significantly to the rise of Cinema Verite during the 1960s. However, the film industry elites heavily criticized the Cinema Verite movement at that time.

That’s because it focused more in reportage instead of showing the expressions of the artist. However, the primary objective of the Cinema Veritemovement was to direct movie industry into greater realism. The method made it possible to create a tremendous impact on the documentary filmmaking, which can even be seen today.

History of Cinema Verite

Cinema Verite was able to give life to some of the outstanding productions in the history of French Cinema. Chris Marker’s Le Joli Mai and Jean Rouch’s Chronique d’un ete, which were released during the early 1960s, are perfect examples to prove the above-mentioned fact.

A movement that is similar to Cinema Verité was originated in the United States as well. It was powered by the introduction of 16mm equipment, which had the ability to record audio and video content in a synchronous manner. This equipment was portable and relatively inexpensive when compared to the other devices that were being used in the movie industry at that time.

The movement that took place in the United States was also known as Cinema Verite, but it became popular as Direct Cinema, because of the obvious language barrier. The primary objective of this movement was to capture the movements and expressions of a person in a realistic manner. This movement was against the rearrangement of the camera.

The pioneers of this movement include the Maysles brothers, Donn Pennebaker, Frederick Wiseman, and Ricky Leacock. The immense contributions they did to the Cinema Verite movement in the United States delivers positive results even up to date.

What Ever Happens, Happens!

As mentioned earlier, Cinema Verite was able to create a significant impact on the global film industry. Those influences can even be seen today. Therefore, it is important to compare Cinema Verité with the modern documentary style and get to know about the noticeable differences that exist in between these two.

The popularity of modern documentary has significantly increased throughout the past couple of years. However, the roots of it go back to the 1960s, where Maysles brothers came into the industry. It was changed along with the generations, but the primary influences remained unchanged.

First of all, it is important to have a clear understanding of the meaning behind real documentaries. Even though movies that were based on actual stories were released back in history, the raw essence of people was not incorporated into them. In other words, real places, real events, or the interests of real people were not taken into account as a whole when creating the documentaries.

Even though the exact meaning behind true documentary has changed along with time, it is based on some fact or truth. The films that fit into it can be divided into two broad categories as Cinema Verité and modern documentary.

Check out the amazing HBO film Cinema Verité, starring Diane Lane, Tim Robbins, and James Gandolfini.

The first documentary was created back in 1922 by Robert J. Flaherty. The film’s name was Nanook of the North. This silent documentary was filmed in the frozen wilds of Canada. No historical evidence about a feature-length documentary is found before this film, and it can be considered as the first-ever documentary as a result of it. The government of the United States knew the importance of this documentary.

This is the main reason why the government selected this documentary into the first 25 films to be preserved. The Library of Congress plays a significant role in these preservation activities.

Now it is important to take a look at Cinema Verité, which took place during the 1960s. Cinema Verité movement was originated along with the French New Wave movement.

The increasing popularity of portable audio and camera equipment contributed a lot towards the origins of it. In other words, Cinema Verité gave life to a studio type style of production. Cinema Verité promoted the production of movies that captured a raw style with the help of on location, audio, video and lighting.

David Maysles, Albert Maysles, and Robert Drew were prominent figures behind Cinema Verité. They took necessary measures to introduce new advancements into this conceptual style along with the help of direct cinema. These new additions emphasized direct relationships between the subjects and the film crew. As a result, they were able to give life to more realistic looking productions at the end of the day.

Before the Cinema Verité, there was a narrator in all the documentaries, who explained things to the audience. Cinema Verité eliminated the role of the narrator, and it gave life to a new revolution. In fact, it delivered more freedom to the editor. That’s because the editor got the freedom to tell the story with freedom and in an obscure manner.

The modern documentary style has some differences when compared to the Cinema Verité style. The main difference that you can find in between these two styles is the presence of a narrator. On the other hand, a lot of time, as well as effort, are being put into the post-production stage of modern documentaries. Also, the cinematography is a lot more sophisticated than the documentaries which came out as a result of Cinema Verité.

The post-production stage is associated with a variety of activities that include sound design, music design, graphic effects, and other forms of editing. More directorial control came out as a result of Cinema Verité. They looked more like the documentaries that were created by Michael Moore. Roger and Me is a perfect example to prove the fact mentioned above.

Facts about Cinema Verite

Cinema Verite is also known as observational cinema. If you pay close attention to this style, you will figure it out as more of pure direct cinema. That’s because it does not incorporate the voice-over of a narrator.

You will also be able to figure out a couple of subtle, but important changes. Cinema Verite was associated with the interaction between the subject and the filmmaker along with style setups. This interaction was there up to the point of provocation as well.

They firmly believed that it is the most convenient method available for them to express the truth behind the cinema. Cinema Verite acknowledged the camera as well. In fact, the camera plays a significant role by filming people, objects, and events related to the scene in a confrontational manner. The primary goal of the filmmaker was to represent the exact reality that he was experiencing at the time of recording.

They believed that giving life to such realistic outputs can free people from all sorts of deceptions. To achieve this, the filmmakers wanted to be the catalysts of all situations. As a result, they had to put a tremendous effort into the entire scene as well.

In the Cinema Verite style, the filmmakers set up the whole scene and then proceed to record them and capture lightning in a bottle. An excellent example of this is the 1963 film Pour La Suite Du Monde. The filmmaker asked a group of senior individuals to fish for a whale. The result of the documentary was not recording how a group of elders was whale fishing.

It was about lineage and memory. In this sense, Cinema Verite style is concerned about anthropological cinema. The political and social implications were also captured in the movies. On the other hand, it changed the way how a filmmaker shoots a film and what are the objects that are filed in it. On the contrary, Cinema Verite focused on what specific objects should be recorded on a movie and the way how it should be presented to the audiences.

Neill Blomkamp’s Micro-Budget Short Film: Alive in Joburg

If you are a fan of District 9 well you are in for a treat. Alive in Joburg is the short film that started it all. With amazing visual effects and a unique style, you can see writer/director Neill Blomkamp’s talent. Neill went on to direct Elysium and Chappie. He also launched Oats Studios where he directs high-end experimental short films.

Alive in Joburg is a 2006 Canadian science-fiction mockumentary short film written and directed by Neill Blomkamp and starring Sharlto Copley, Jason Cope, and Dawie Ackermann. The film explores themes of apartheid and is noted for its visual effects as well as its documentary-style imagery.

Watch the entire short film below.

You can watch our exclusive interview with Neill Blomkamp. He discusses his creative process, how he made Alive in Joburg and District 9.

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What is the Rashomon Effect? – Definition and Examples

Everyone is quite familiar with the famous Rashomon Effect and those who are not, the term refers to the real world situations in which there are versions and testimonies of various eye-witnesses.

These eye-witnesses can be in your head what is described in the actual movie is what happens to us every single day.

Directed by Akira Kurosawa and released in 1950, Rashomon has won numerous international awards and introducing the world to the Japanese film scene.

Kurosawa was forty years old when he made this movie and was at the initial stages of his career which was to last for five decades giving some greatly produced movies to be ever made in the Japanese film industry. And also to leave a lasting impression on film production. Rashomon surfaced at that time of his career journey when he left Toho for some time where the studio was located which was to be the home of his many more films to come.

Apart from being incredibly directed, Rashomon became renowned for grasping the difficulties which humans come across regarding experiences and memory.

The plot of the movie is focused on a grove where an accident took place. A dead body of a samurai is found who was stabbed to death by a woodcutter. With reference to this crime a bandit is captured but the twist lies in the fact that his testament in court as well as those of the samurai’s wife and the woodcutter who came across the samurai’s body all happen to present outspokenly different realities or versions of the truth.

The various perspectives are portrayed in the movie but the most vivid and clear concept is that the stories happen to be self-serving. The bandit’s narrative shows him as a braver and a bolder character as compared to the other accounts.

The woodcutter on the other hand, leaves out a very significant detail which could have raised fingers at him and get him into jeopardy. Whereas the samurai’s wife is either a very helpless victim or rather a scheming and sinister woman.

The viewer is left in speculation though and may be even those who are telling the stories and not too sure what the truth actually is which will make them face the reality.

During the years from 1949 to 1951 Kurosawa made movies for Shintono, Shochiku and Daiei. Albeit Daiei was somewhat hesitant and showed reluctance to fund Rashomon because he was of the view that the movie was quite unconventional and exceptional from the traditional movies that are generally made. According to Daiei, the film was quite eccentric and will be difficult for the audiences to understand.

All of those fears doubts and proved to be groundless when Rashomon became one of the most worthwhile and profitable films of 1950. Daiei’s view that the film is unconventional was not all wrong, it was and even quite deep-seated in design as well and all of these added into its originality and aided in making it go sky high with international cinema at such a time when art cinema was surfacing with very strong and powerful potency on the film circuit.

With immense averseness, the film was allowed to be submitted for an overseas festival competition. Rashomon won the first prize in the prestigious 1951 Venice Film Festival. It was through Rashomon that world got to know about the expertise and talents of Kurosawa as well as the assets of Japanese cinema.

Rashomon Effect is not only about the variations in the perspective but is occurs specifically where these differences arise combined with the lack of evidence to heighten or disqualify any version of the truth including the social pressure for the closure of such situation.

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Rashomon Effect: Kurosawa’s Other Films

Similar to a number of movies by Akira Kurosawa, Rashomon is two-story based film and set during a time period when the society was going through a social crisis. And in this instance, Japan’s 11th century period is revealed which is chosen by Kurosawa to shed light on the farthest points and extremities of the human behaviour.

As the film is opened, the screen shows three characters who are seeking shelter from a raging rainstorm underneath the ruined gate of Rashomon. This gate is used to guard the southern entrance of the imperial capital city of Kyoto.

As this group waits for the storm to pass, the priest (Minoru Chiaki), the commoner (Kichijiro Ueda) and the woodcutter (Takashi Shimura) dicuss a scandalous crime of a noblewoman (Machiko Kyo) who was raped in the forest and her husband the dead Samurai, (Masayuki Mori) was killed by someone or himself and a thief Tajomaru (Toshiro Mifune) who was arrested in this regard.

Rashomon Effect on the World

Rashomon has surpassed its own status as a film and effected the culture at large too. It symbolized the general notions about the truth and the unreliability of memory. The Rashomon Effect is usually spoken of in the legal industry by judges and lawyers when the first hand witnesses come up with conflicting testimony.

Kurosawa came to rank amongst the leading international figures of cinema with Rashomon and following movies by him. It was more than just a commercial entertainment film. It had ideas of a serious artist possessing aesthetic design.

The modernist narrative not only impressed the audience making it a classic but the massive visual skill and power which was brought to the screen with amazing shots of forest, the sun directly. It was incredibly a sensual film. Nobody has ever filmed forest like this.

The film was a conscious attempt to recreate and recover the marvel of silent filmmaking. The cinematography by the Kazuo and editing are marvellous. Many sequences of the film were purely silent in which the imagery seems to speak and carries the action.

One such sequence which was the best in the series of moving camera shots was of following of the woodcutter in the forest before he happens to find the evidence of the crime.

The brilliant designs of Kurosawa’s films which are motivated with precision makes him a great filmmaker. Like the rest of his outstanding films, Kurosawa responds and reacts to his world as a moralist as well as an artist.

Japan was devastated after the Second World War and that is why Kurosawa’s embarked on a journey with immense artistic ambition as well as moral urgency to make a series of films. Seeking via his art, to produce a legacy of hope and faith for a ruined nation.

The desire for restoration which these stories clearly exemplified had to deal with a struggle with an entirely opposite and dark too. Rooted in the cynical and distrustful reflections of human nature, Kurosawa’s films tend to have a tragic dimension.

With the aid of the common human propensity to cheat and to lie, he manifested a tale in which the ego, disloyalty and conceit of the characters make the search of truth such a tough thing to find making it too difficult. The question arises that whose account is to be believed? Whose testimony of the crime is to be relied on? Who is correct? It is a question which one cannot seem to find the answer to as all versions of the truths are distorted in such ways that only benefit their narrators.

The world faces a dark moment as the ego takes over everything. Portraying a quite dark scenario, at the last moment with utter simplicity and beauty, Kurosawa pulls back from the darkness he exposed. The woodcutter makes the decision of adopting the abandoned baby and as he walks away with the child in his arms, the rainstorm lifts.

No matter what one decides regarding the conclusion of Rashomon, it is as genuine and real as it comes making it truly a classic. The greatness that emanates from this movie is both undeniable and palpable.

The nonlinear narrative and the sensual style which formed this film and in turn reformed the face of cinema is outstanding because to expect this from someone who was still a young filmmaker is astonishing.

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