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post-production supervisor, post production workflow, color grading, editorial, film editing, deviance resolve, indie film hustle, independent film business, film school, independent film, robert rodriguez, indie film, moviemaker, red camera, arri alexa, cinematography, digital filmmaking, filmmaking, alex ferrari, guerrilla filmmaking, NYU, USC, Full Sail University, Sundance Film Festival, film festival, tarantino, kurosawa, cinematography, short films, short film, indie films, filmmaker, how to make a movie, short film ideas, filmmakers, filmmaking, film festivals, film production, guerrilla film, film distribution, indie movie, screenwriter, screenwriting, short film competition, film producers, short films online, how to make short films, film distribution process, great short films, good independent films, digital video production, list of film festivals, watch short films, marketing video production, indie filmmaking, filmmaking software, short film contests, short film festivals, how to make an independent film

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How a Post-Production Supervisor Can Save Your Butt!

So how can a Post-Production Supervisor save your butt? Well, I’ve been a Post-Production Supervisor for over 15 years and have seen a lot of indie filmmakers get beaten up, taken advantage of and just plain ripped off in the post-production process.

In short, the Post-Production Supervisor is there to protect the film or project from going over budget, getting ripped off and making sure everything is done on time and budget.

Here is the official definition of a Post-Production Supervisor:

Post-Production Supervisors are responsible for the post production process, during which they maintain clarity of information and good channels of communication between the producer, editor, supervising sound editor, the facilities companies (such as film labs, CGI studios and negative cutters) and the production accountant.

The Post-Production Supervisor has a pivotal role in ensuring that the film’s post-production budget is manageable and doable and that all deadlines are met.

The role of the Post-Production Supervisor varies depending on the type of film or project and the all-important budget.

On a big-budget, visual effects heavy film projects, Post-Production Supervisors start work during pre-production, going as an in-between with the VFX House and ensuring that the producer is aware of all the creative and budgetary considerations and how they may impact on the all-important post-production period.

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I know many Post-Production Supervisors who work on huge studio tent poles and let’s just say they are aging fast! It’s a high-stress job, to say the least.

On smaller budget film projects they also advise on the limitations that may need to be applied to the shoot in order to finish it, as well as providing an overall picture of what can be realistically achieved in post-production within the budget.

Take a listen as I describe what a Post-Production Supervisor does, what to look for when hiring one and how they can save you money in post-production.

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If you like this episode, then take a listen to:
Post Production Workflow – Understand It or DIE!

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