Vintage Lenses for Indie Filmmakers MasterClass w/ Alan Besedin
One of the main goals of Indie Film Hustle is to give real world knowledge and resources to indie filmmakers so they can make a living doing what they love. Film gear is a big part of that equation. I always am on the lookout for the best bang for the buck when it comes to film gear.
I recently began to dip my toes into the world of vintage lenses. Vintages lenses are exactly that, vintage. You may be asking
“Alex, why would I but a 50-year-old lens that has color redition issues or is soft on the corners when the lenses of today are perfect, clean and more advanced?”
The main reason I’ve fallen in love with vintage lenses is exactly for that reason, they are not perfect. Years ago lenses were made by hand. Each lens had its own personality. Many of them have beautiful mistakes that made them stand out.
Case in point Stanley Kubrick. If you watch A Clockwork Orange you’ll notice a wide shot as the doorbell rings about 20min into the film. The crazy wide shot was filmed with a Kinoptik 9.8 F2.3. The lens is far from perfect but it has character. Kubrick was more focused in achieving an interesting shot rather than a perfect one. This coming from a legendary perfectionist.
Kubrick lenses collection was made up of most vintage lenses. He would buy 10 copies of the same lenses, test them all and pick the best of the bunch and return the rest.
Using vintages lenses can also take the “digital bite” off of modern day camera sensors. The best thing about getting into vintage glass is the cost. You can get a beautiful “nifty 50mm” for between $20-$80. They’re literally thousands of lens you can choose from, each one special in its own way. Vintage lenses can truly give your film a unique look and make you stand out from the crowd.
Today’s guest Alan Besedin has been running in the filmmaking trenches for years and runs my go-to resource for vintages lenses VintageLensesforVideo.com. I’ve watched every video and read every article on the site. It’s a wealth of info. Check out some samples below.
Also please support Alan’s amazing work by donating, even a dollar, to his Patreon. (www.patreon.com/VintageLensesForVideo)
So enjoy my conversation with Alan Besedin from VintageLensesforVideo.com.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
- VintageLensesforVideo – Pateron
- Buy This is Meg on iTunes
- IFH 147: Cinema Lenses MasterClass with Matthew Duclos
- FilmConvert – (10% OFF – CODE: HUSTLE)
- Hollywood Film & Television Directing Masterclass (EXCLUSIVE 50% OFF)
- Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
- Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue – Distribber
- Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
- Werner Herzog’s Filmmaking MasterClass
- Aaron Sorkin Screenwriting Master Class
- FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
- INDIE FILM SYNDICATE Filmmaking Community
- IFH’s Online Film School
- Six Secrets to get into Film Festivals for FREE!
To share your thoughts:
To help the show:
- Leave an honest review on iTunes. Your ratings and reviews really help and I read each one.
- Subscribe to the Podcast on iTunes, Stitcher, Soundcloud or via RSS
- Werner Herzog’s Filmmaking MasterClass
- Filmmaking Hacks: Filmmaking Master Course
- Directing Actors Film Workshop
- USC Film School’s ONLY Online Course: Directing the Actor
- Film Lighting MasterClass
- Recording Sound for Indie Film
- The Art of Micro-Budget Filmmaking
- Cinematography MasterClass
- Film Festival Hacks: Submit Like a Pro
- Self-Distributing Your Film Online
If you like Vintage Lenses for Indie Filmmakers MasterClass w/ Alan Besedin, then click below:
Enjoyed Vintage Lenses for Indie Filmmakers MasterClass w/ Alan Besedin? Please share it in your social networks (Facebook, Twitter, email etc) by using social media buttons at the side or bottom of the blog. Or post to your blog and anywhere else you feel it would be a good fit. Thanks.
I welcome thoughts and remarks on ANY of the content above in the comments section below…