Kubrick’s Lenses – The Ultimate Guide to the Lenses Used by Stanley Kubrick
When you here the Stanley Kubrick you think of images. One of the many reasons Kubrick was such a remarkable filmmaker was that he came to the film industry after years working as a professional photographer for publications like Look magazine. There he learned about composition, light and of course lenses.
Not many film directors worry about the latest camera tech–cinematographers usually take that job up–but Kubrick was no ordinary director. Even though he wasn’t the first filmmaker to use the Steadicam, on The Shining, he was the first to have the rig modified so it could hover close to the ground in those legendary shots of Danny on the big wheel.
In the video below, Joe Dunton, owner of one of the biggest camera rental facilities in the United Kingdom and worked extremely closely with Stanley, takes us on a guided tour of Kubrick’s lens collection. For those who went to the traveling Stanley Kubrick exhibit (see the videos below) two to three years ago, you might have seen this video playing in the exhibit.
Kubrick rarely rented film gear or lenses and preferred to own his own. Stanley lit mostly with natural light when he could–because of his photojournalism career. Sometimes the flicker of a candle is all the light he would have, which led to the use of the legendary Zeiss lens designed for NASA as a way shooting the deep darkness of space–Kubrick used it for the evening dining room scenes in Barry Lyndon in order to capture candlelight on the slower film stocks of the day.
One of the unsung heroes in all this, it’s a man named George Hill, who was Stanley Kubrick’s go-to-guy when he wanted to create a custom lens for a project. George was also the only guy he trusted to clean his lenses collection. Enjoy!
Deconstructing Cinematography: Barry Lyndon
“Eyes Wide Open” – The Photographic Early Works
Take a look at Stanley Kubrick’s early use of his lens knowledge. Below is a video highlighting Kubrick’s work while he was a staff photographer at the magazine Look.
If you didn’t get a chance to visit the touring Stanley Kubrick Exhibit — LACMA here is a look.
REAL-WORLD STREAMING CINEMATOGRAPHY TRAINING
- Indie Film Hustle TV (Streaming Real-World Film Education)
- Kodak Cinematography Masterclass Series
- Visual Effects for Cinematographers
- Moving the Camera: Grid Theory
- 360 Video Production Masterclass
- Light and Shadow Documentary
If you are a filmmaker watching Stanley Kubrick’s filmography is mandatory:
- FEAR & DESIRE (1953)
- KILLER’S KISS (1955)
- THE KILLING (1956)
- PATHS OF GLORY (1957)
- SPARTACUS (1960)
- LOLITA (1962)
- DR. STRANGELOVE: OR HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (1964)
- 2001: A SPACE ODYSSEY (1968)
- A CLOCKWORK ORANGE (1971)
- BARRY LYNDON (1975)
- THE SHINING (1980)
- FULL METAL JACKET (1987)
- EYES WIDE SHUT (1999)
If you liked Kubrick’s Lenses – The Ultimate Guide to the Lenses Used by Stanley Kubrick, check out
Stanley Kubrick – Breaking Down the Master’s Directing Style
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