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How Indie Films Can Use The Mandalorian Virtual Production Tech with Rene Amador

What if indie filmmakers could access the same virtual production systems used on the hit Disney+ show The Mandalorian? What if you could use that same technology at home for your productions? What if it cost less than most RED Camera packages? Today’s guest wants to do exactly that. Rene Amador is the co-founder and CEO of the virtual production tech company ARWall.

Rene boasts 24 years of working with 16 startups, starting young working for his parent’s startups in silicon valley. He’s also directed over 350 commercials, short films, and pilots. Most recently as co-founder at ARwall, Rene won the SXSW Accelerator 2018 AR/VR category pitch, has been acknowledged as a top AR tech evangelist in Hollywood and designed the first ARwall Lab in Burbank.

Rene and his team have developed a professional virtual production system that filmmakers can use at home powered by the most powerful real-time graphic engine on the market. How does this all work you may ask? ARFX requires a tracker and at least two sensors installed on set.

Once the tracker is calibrated and attached to the camera, the director of photography has the ability to move anywhere inside the tracked space. The virtual scene runs on the system updates in perfect real-time, no matter where the camera is positioned. This creates a seamless window illusion into the virtual space.

Filmmakers really put this tech to the test on Disney+’s Star Wars show The Mandalorian. If you haven’t seen this show do yourself a favor and get a monthly subscription to Disney+, sit back and enjoy.

I also recommend you watch The Gallery, a behind the scenes show on how they made The Mandalorian.

I’m not saying a newcomer to the filmmaking process will just be able to pick up this tech and make The Mandalorian but the tools are there for filmmakers who are ready to make that leap.

This is a massive jump in how filmmakers tell their stories. ARWall’s Home Studio is the next jump for indie filmmakers. The cost is cheaper than most RED or ALEXA cameras.

This technology is one of the most exciting filmmaking tools to come out since digital cameras became the norm. Not only is this tech cool but the speed that it became affordable for the independent filmmaker is mind-blowing.

It took a decade before we had access to the same ground-breaking technology that was used in Jurassic Park.

Rene and I talk virtual production, The Mandalorian, the future of the AR Wall, and how indie filmmakers can start using this technology today. Enjoy my conversation with Rene Amador.

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