Why I Edited My Feature Film on DaVinci Resolve
I’ve been editing features, shorts, commercial, and everything else shot on film or video for over 20 years. Editing on almost every non-linear editing system you can imagine I know what I want and like in an NLE. When it came time to edit my directorial feature film debut, This is Meg, I knew my good old Final Cut Pro 7 wouldn’t cut it.
So I decide to give Davinci Resolve 12.5 a try. I’ve been color grading on DaVinci Resolve for years and always jumped over the “edit tab” on my way to the color tab. Once version 12 came out I was blown away. So powerful, so intuitive and it just plain worked! I have to tell you,
“DaVinci Resolve is what Final Cut X should’ve been.”
The good folks over at Blackmagic Design invited me to speak at the Slamdance Film Festival 2017 to discuss my experience editing, color grading and finishing on Davinci Resolve. Enjoy!
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
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- Aaron Sorkin Screenwriting Master Class
- Hans Zimmer Film Scoring MasterClass
- Kevin Spacey Acting Master Class
- FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
- INDIE FILM SYNDICATE Filmmaking Community
- IFH’s Online Film School
- Six Secrets to get into Film Festivals for FREE!
BONUS: TOP TEN Online Filmmaking Courses
- Werner Herzog’s Filmmaking MasterClass
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- Film Lighting MasterClass
- Recording Sound for Indie Film
- The Art of Micro-Budget Filmmaking
- Cinematography MasterClass
- Film Festival Hacks: Submit Like a Pro
- Self-Distributing Your Film Online
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