Vintage Lens Review: Helios 44-2 58mm F2
Helios 44-2 58mm F2
Much has been written about the infamous Russian bokeh monster, the Helios 44-2 58mm F2. Why infamous you ask? Well, the Helios is a copy of the Carl Zeiss Biotar 58mm. Back in the end of World War II, the Russians occupied East Germany. A few crafty guys went into the Zeiss factory and stole the Biotar formula.
The Helios 44-2 58mm is one of the most mass produced lenses ever made and can be acquired rather cheaply. It’s far from being a perfect lens but wow what bokeh. The Biotar formula creates a swirling bokeh that is just stunning. This is why it’s called the “Bokeh Monster“.
EXPOSURE
You really need to stop this lens down a bit. Shooting wide open get you a very dreamy image. Stopping down to f4 or lower sharpens up the lens nicely. It has 8 aperture blades.
CHARACTER
Helios 44-2 58mm is really sought after by the more experimental photographers and cinematographers. The lenses’ bokeh is unmatched and has remarkable color retention. I use it on my BMPCC and URSA Mini 4.6k and it looks amazing. It gives your footage an instant vintage look.
The sharper the camera sensor the better this lens performs. It takes the “digital bite” out of the harshest video image. It also creates stunning flares. I also use a Metabones Speedbooster on my BMPCC and it really helps to bring this lens to life. The extra stop does magic on this vintage baby.
MOUNT
The lens was manufactured mostly in an M42 mount to be used with the Zenit camera but it was also made in a Pentax K and M39 mount as well.
FILTER
It has a 52mm filter thread. I use an inexpensive step-up ring to get it to my filter size of 77mm.
FOCUS
Minimum Focus Distance is about 20 inches.
PROS:
- Super small and compact
- Extremely easy to find
- Inexpensive
- Magical Bokeh
CONS:
- Can’t shoot it wide open
- Has chromatic aberration
- Heavy for its size but great for cinema use
- Flare Prone (this could go in the pros column as well)
- No two lenses are the same
Final Thoughts
Because of the lack of “quality control” in the Helios factory you really have no idea what you are getting. If you are serious about adding one of these babies to your collection I would buy 5-10 of them (yes, they are that cheap), test them all, then you can pick the winner and sell the rest. This is how Stanley Kubrick chose his lenses.
I absolutely love this lens and you will get unique and beautiful images out of the Helios 44. I own the Helios 44M, which is built a bit more solid and weighs more but the optically the same as the 44-2.
Friends of the show Matthew Duclos and Ryan Avery started an amazing new website called LensFinder. Lensfinder.com is an online marketplace for photographers and cinematographers to buy, sell and learn about used, vintage and boutique lenses. We want buying and selling quality glass to be easy and affordable. Great glass helps inspire great images and we look forward to serving this incredible community of creators by offering a place to get the tools for your next great project.
To find more vintage lenses go to Lensfinder.com
If lenses are your thing, I’d suggest you take a listen to these knowledge filled podcasts.
Filmmaking Resources:
- Martin Scorsese Film Directing Masterclass
- Werner Herzog’s Filmmaking MasterClass
- Video Editing with DaVinci Resolve
- Directing Actors Film Workshop
- USC Film School’s ONLY Online Course: Directing the Actor
- Film Lighting MasterClass
- Recording Sound for Indie Film
- The Art of Micro-Budget Filmmaking
- Cinematography MasterClass
- Film Festival Hacks: Submit Like a Pro
- Self-Distributing Your Film Online
If you like Vintage Lens Review: Helios 44-2 58mm F2, then click below:
Enjoyed Vintage Lens Review: Helios 44-2 58mm F2? Please share it in your social networks (Facebook, Twitter, email etc) by using social media buttons at the side or bottom of the blog. Or post to your blog and anywhere else you feel it would be a good fit. Thanks.
I welcome thoughts and remarks on ANY of the content above in the comments section below…
Get Social with Indie Film Hustle:
Facebook: Indie Film Hustle
Twitter: @indiefilmhustle
Instagram: @ifilmhustle
YouTube: Indie Film Hustle TV
Podcast: IFH Podcast
Podcast: Film Festival Hacks Podcast
IFH: Filmmaking Hacks
Download My 6 Tips to Get Into Film Festivals For Cheap or FREE!
Learn my techniques that got my films into over 600 international film festivals.
ENTER YOU EMAIL BELOW TO DOWNLOAD YOUR FREE EBOOK!
This is NOT a lens to be stopped down. The bokeh effect you refer to goes away when you do that. The 44-M is known for not being as desirable of a lens as the 44-2 or 44. On my copies of the lens, the chromatic aberration has been very minimal. Extremely minimal considering its age and speed.
So basically I personally disagree with all your CONS for the versions I own.
I guess this is a good reason to own the 44-2 or 44, and not the 44-M.
That’s fine. I love both my 44m and 44-2. Both have different looks. Your copies are more than likely different than my copies. Each DOP has to buy and test for themselves. = )
Great article! I’m wondering what type/brand of M42 to Canon EF adapter will work on the Metabones BMPCC EF Speedbooster?
I’ve read on the Metabones website…http://www.metabones.com/products/details/MB_SPEF-BMPCC-BT1
“Some improperly-made M42 screw mount adapters may short the electronic contacts of the Speed Booster and cause damage to the Speed Booster and/or camera body.”
I would appreciate it if you can help me.