This is one of the first filmmaking books I read at film school and is still one of the best ever written. In Rebel Without a Crew, famed independent screenwriter and director Robert Rodriguez (Sin City, Sin City 2, Once Upon a Time in Mexico, Spy Kids) discloses all the unique strategies and original techniques he used to make his remarkable debut film, El Mariachi, on a micro-budget. This is both one filmmaker’s remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through. Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget.
A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood.
Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.
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In this comprehensive guidebook, three very experienced entertainment lawyers disclose everything you need to know to produce, market and sell an independent film. From the development process to deal making, financing, setting up the production, hiring directors and actors, securing location rights, acquiring music, calculating profits, digital moving making, distribution, and marketing your movie. Highly recommended. This all-new second edition has been completed updated.
In the Blink of an Eye is celebrated film editor Walter Murch’s vivid, multifaceted, thought — provoking essay on film editing. Starting with what might be the most basic editing question — Why do cuts work? — Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film.
Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more.
From one of America’s most acclaimed directors comes one of the best filmmaking books that is both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on 40 years of experience on movies ranging from Long Day’s Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.
When it comes to producing, no one speaks with more authority than Lloyd Kaufman, founder of the longest-running independent film studio, Troma Entertainment. He reveals the best ways to seek out investors, scout locations, hire crew and cast talent, navigate legalities, and stay within your budget.
Also check out: Lloyd Kaufman’s Interview Podcast
Dov Simens was one of my first guests on the Indie Film Hustle Podcast and has become easily one of my most popular. From screenwriting & budgeting to marketing, Dov Simens provides encyclopedic, precise, & creative instruction for putting your vision up on the screen. With his aggressive and no bullsh*t approach, you’ll learn everything you need to know to create a successful indie film.
Also check out: Dov Simens Producing Master Class Podcast
A staple of indie filmmaker’s bookshelves for well over a decade, the latest edition of The Filmmaker’s Handbook has revitalized all of the essential knowledge which it has become known for and brought it right up to date. Widely acknowledged as the “bible” of video and film production, and used in courses around the world, The Filmmaker’s Handbook is now updated with the latest advances in HD and new digital formats. For students and teachers, professionals and novices, this indispensable handbook covers all aspects of movie making.
You can see echoes of all the other aforementioned writers in this book. What I like about Save The Cat is that it’s a stripped down, fun read with a lot of helpful information. I especially appreciate Snyder’s Beat Sheet which shows with almost page number accuracy where to place those particular plot moments that help keep your story moving. Some might find it formulaic, but I think it functions very well and points to exactly the kind of scripts Hollywood has come to expect from writers. One of the best screenwriting books. (FREE AUDIO BOOK VERSIONS HERE)
Less than a decade since they began working in the movies, Mark and Michael Polish have established themselves as critically acclaimed, award-winning independent filmmakers. Their innovative approach to art direction, use of digital photography, and ability to attract stellar talent to their modestly budgeted films sprang from necessity; now these aesthetics have become admired trademarks of their work. Also check out: Michael Polish’s Podcast Interview
Indie Film Producing explains the simple, basic, clear cut role of the independent film producer. Raising funds to do your dream project, producing award-winning films with a low budget, putting name actors on your indie film-it’s all doable, and this book guides you through the entire process of being a successful producer with bonus tips on how to effortlessly maneuver through the sphere of social media marketing and fundraising tactics. Also check out: Suzanne Lyon’s Producing Podcast Interview
A critical analysis of the rise of independent filmmakers examines Robert Redford’s Sundance Film Festival, the success of Miramax, and the careers of independent filmmakers whose work has transformed Hollywood and the film industry.
When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the ’70s.
Pierson’s name may not be a household one, but the filmmakers he’s been associated with – Spike Lee, Michael Moore, Jim Jarmusch – are well known to fans of independent films. Pierson has been friend, investor, and, most importantly, business agent to these and lesser talents and has been a fixture on the festival scene for over a decade. Go behind the scenes & see John Pierson’s pivotal role in the launching of such films as Stranger than Paradise, Clerks, She’s Gotta Have It, and Roger and Me.